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February 4 - February 25, 2012
These three artists explore a sense of artificiality in our landscape while challenging our assumptions about documentation and reality. Through use of long exposures, Burdeny's landscapes are exposed to reveal the surreal in our world, Hafkenscheid manipulates to create a voyeuristic world of miniatures, and Burgardt distorts her constructed miniature models to give the illusion of vast landscape. Ultimately, their work contributes to the ongoing dialogue regarding traditional documentation and the desire to question our assumptions of reality in photography . Please join us for a talk on "The Collectability of Photography" by Mitch Kern. Originally from New York City, Mitch Kern is a contemporary photographer and transmedia artist who is the Head of the Photography department at the Alberta College of Art and Design. He has his Masters of Fine Arts in photography from Pennsylvania State University and has an international career. |
March 3 – March 31st, 2012
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March 3 - March 31st, 2012
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April 7 – May 5, 2012
Curtis' work is based on drawings he made incorporating the use of dowsing rods he found on his family farm. With paper in hand he sets forth on open land, a dowsing rod out in front of him with a felt pen attached to a string hanging at the end of the rod. Touching the paper the pen responds to the water below, deep underground, interacting with the artist. A reaction mixed with his walking; losing traditional control of the developmental stages of the drawing. Over and over he walks, letting the paper become filled with marks and lines, some fast others slow. They are moments trapped in time with a line; a record of his connection to nature. Back in the studio he reworks the drawings letting his artist hand and eye into the work for the first time. Reacting to a mark, not from his artist's hand, he is faced with new dilemmas, new directions and endless possibilities. |