Aron Hill
Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in Interdisciplinary studies. He then completed his MFA at Goldsmiths College, University of London. His work there evolved into installation based projects using traditional drawing and painting methods alongside formal sculptural elements, large format photography and text based work. He has recently been focused on formalist paintings that recall aspects of minimalism and color field paintings though with references to the figure throughout. He finds conceptual company in the late Modernist paintings produced particularly in Canada. The choice of a restricted medium, acrylic ink washes on prepared raw canvas, forces restraint. The work's graphic nature relies on the sheer flatness this medium produces. Aron has exhibited internationally, occasionally lectures, and writes.
Aron Hill
Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in Interdisciplinary studies. He then completed his MFA at Goldsmiths College, University of London. His work there evolved into installation based projects using traditional drawing and painting methods alongside formal sculptural elements, large format photography and text based work. He has recently been focused on formalist paintings that recall aspects of minimalism and color field paintings though with references to the figure throughout. He finds conceptual company in the late Modernist paintings produced particularly in Canada. The choice of a restricted medium, acrylic ink washes on prepared raw canvas, forces restraint. The work's graphic nature relies on the sheer flatness this medium produces. Aron has exhibited internationally, occasionally lectures, and writes.
Shelley Adler
Toronto based artist, Shelley Adler’s paintings are commanding in their painterly exuberance and stunning range of color. Using fragments of contemporary life, Adler’s psychological portraits explore gender and identity, creating a balance between interior and exterior worlds. From early cave painting to the Mona Lisa and Andy Warhol portraiture is a formidable artistic tradition. Shelley Adler’s paintings of people’s faces are not portraits in the strict sense of the word in that portraits are formulated primarily as likenesses of the sitter. In Adler’s painting, the face is a springboard to a luminous and freeform tableau. They are less about the sitter than the internal processes of the artist and her intense curiosity about people, about the ways of looking, and about the act of painting. These considerations are delicately balanced to reflect a deep humanism. With generous brushstrokes and vibrant planes of light, Adler forms the face into an elemental and iconic essence. Each painting is endowed with a particular, individual energy through color and composition. Color and its link to emotion is a primary concern and although Adler employs eccentric, non-naturalistic color, the faces have a very real quality. Like David Hockney, Adler often paints people she knows. For Hockney, capturing a subject’s likeness, and especially his or her personality, can only be properly done with the human touch, or as he says, “it has to be directed through my heart to my eye to my hand.”
Shelley Adler has exhibited throughout Canada. She has had solo shows at Nicholas Metivier Gallery, Toronto (2006, 2009), Andrea Meislin (2008) and has participated in group exhibitions in Vancouver, Toronto and Montreal, including Sarah Myerscough Fine Art, London (2008). Adler received her MFA from Boston University in 1987. She graduated from York University in Toronto in 1983 and attended Edinburgh College of Art in Scotland in 1982.
(Source: Madison Gallery)
