Aron Hill
Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in Interdisciplinary studies. He then completed his MFA at Goldsmiths College, University of London. His work there evolved into installation based projects using traditional drawing and painting methods alongside formal sculptural elements, large format photography and text based work. He has recently been focused on formalist paintings that recall aspects of minimalism and color field paintings though with references to the figure throughout. He finds conceptual company in the late Modernist paintings produced particularly in Canada. The choice of a restricted medium, acrylic ink washes on prepared raw canvas, forces restraint. The work's graphic nature relies on the sheer flatness this medium produces. Aron has exhibited internationally, occasionally lectures, and writes.
Aron Hill
Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in Interdisciplinary studies. He then completed his MFA at Goldsmiths College, University of London. His work there evolved into installation based projects using traditional drawing and painting methods alongside formal sculptural elements, large format photography and text based work. He has recently been focused on formalist paintings that recall aspects of minimalism and color field paintings though with references to the figure throughout. He finds conceptual company in the late Modernist paintings produced particularly in Canada. The choice of a restricted medium, acrylic ink washes on prepared raw canvas, forces restraint. The work's graphic nature relies on the sheer flatness this medium produces. Aron has exhibited internationally, occasionally lectures, and writes.
Brian Flynn
Biography
Brian Flynn holds dual citizenship from Canada and Ireland. Throughout his life, he has moved back and forth between both countries. He has a Master in Fine Arts Degree from the University of Ulster Belfast (Ireland) .Flynn has received major art grants from the Canada Council for the Arts, The Irish Arts Council, and the Alberta Foundation for the Arts. He has solo exhibitions in public galleries that include: the Art Gallery of Calgary, Ace Art inc. (Canada), the Sirius Art Center (Ireland), Basement Gallery (Ireland) and the Art Gallery of Greater Victoria in Victoria, B.C. Notable group exhibitions include the Lulea Biennale, Sweden, the ev+a art festival in Limerick, Ireland, and the Huntington Art Prize held annually at the Royal College of Art, London, England and Flynn participated in the X-Border Art Biennial which took place in three different countries, using exhibition spaces in Lulea, Sweden; Rovaniemi, Finland and Severomorsk, Russia.
My latest bodies of work continue my interest in social constructions and my family’s ties to politics in Ireland. Using oil paint and photo-transfers as my mediums, I recreate figures from both my family’s history as well as Ireland’s turbulent politicized past. The subjects in my work either held specific agendas in outlawed political organizations or were those who have been affected by these agendas. My process of layering and obscuring, protecting identity while simultaneously wiping it out, is an artistic exercise of the very activities that members of the resistance practiced during the Troubles as a means of self-preservation to avoid detection during oppressive times.
I have recently spent time documenting Fork Hill – the village where my family is from and still lives. A border town, Fork Hill was the most occupied town in Northern Ireland’s history. As of July 31, 2007, the British military finally completely pulled out of the area.
My interest in documenting this area's history focuses on the role of identity and place in the context of conflict. I spent some time interviewing former IRA members regarding their activities, specifically in relation to my grandfather's house located twenty feet from the border which divides Northern and Southern Ireland. The house was used as a staging point for IRA maneuvers against the British army posted in the area. How do you tell a story that must remain faceless, nameless, and without evidence?
Education
2001-2003 Master of Fine Art: Honours, University of Ulster, Belfast, N. Ireland
1988-1992 Honours Diploma: Painting, Alberta College of Art and Design, Calgary, Canada
Exhibition Record
Solo Exhibitions
2019 No Photos… No Recordings… No Notes… Studio Exhibition curated by Dick Averns, Calgary, Canada
2008 Hedgerow Series, Art Gallery of Greater Victoria, British Columbia, Canada
2006 Cover Series: Belfast Portraits, Aceartinc. Gallery, Winnipeg, Canada
Cover Series: Belfast Portraits, Sirius Art Center, Cobh, Cork, Ireland
2005 Wake, Basement Gallery, Dundalk, County Louth, Ireland
Wake, SKEW Gallery, Calgary, Canada
Cover Series: Belfast Portraits, Eastern Edge Gallery, St. Johns, Canada
2004-2005 Cover Series: Belfast Portraits, Art Gallery of Calgary, Canada
2001 Power Dot Series, Basement Gallery, Dundalk, Ireland
1999 The Object Singular, Art Gallery of Peel, Brampton, Canada
1998 New Paintings, Tyrone Guthrie Centre, Newbliss, Ireland
1996 A Selection of Paintings, Tableau Vivant Gallery, Toronto, Canada
1995 Works in Progress, Third Space, Hamilton Artists inc., Hamilton, Canada
Group Exhibitions
2015 The Changing Face, Essentia, Calgary, Canada
2013 “X-Border” Art Biennial 2013, Rovaniemi, Finland (May - August)
2009 Portraits, Trianon Gallery, Lethbridge, Canada
2007 “Passion of mankind” Lulea Summer Biennial 2007, Lulea, Sweden (June - August)
2005 Beyond Emma Lake: Contemporary Art of Alberta and Saskatchewan, Triangle Gallery
2003 ev+a 2003, various venues, Limerick, Ireland
May, County Louth Museum, Dundalk, Ireland
Art in Ulster, North East Institute, Ballymena, N. Ireland
2002 [two/four(eh!)], Walsh Exhibition Space, Belfast, N. Ireland
The Hunting Art Prizes 2002, Royal College of Art, London, England
See what I mean, Naughton Gallery, Queen’s University, Belfast, N. Ireland May, County Louth Museum, Dundalk, Ireland
Souvenirs, DeLeon White Gallery, Toronto, Canada
2001 Small Islands, Big Ideas, Irish Art Centre, New York, U.S.A.
Shredders: a correspondence art project, CIRCA Magazine Website, Dublin, Ireland 1999
Resistance is Futile?, Lonsdale Gallery, Toronto, Canada
Mighty Canadian Art, Red Head Gallery, Toronto, Canada 1998
Stuff, Lonsdale Gallery, Toronto, Canada
The Summer Collection, Lonsdale Gallery, Toronto, Canada Dreamers of Dreams, Area Gallery, Toronto, Canada
1997 One X One, Area Gallery, Toronto, Canada
A Great Gathering, Lonsdale Gallery, Toronto, Canada Inheritance, Faktorie Gallery, Toronto, Canada
Steam, 376 Dufferin Street, Toronto, Canada
1996 Out of Darkness, Art Gallery of Peel, Brampton, Canada Third Rail, Artscape, Toronto, Canada
23rd Annual Juried Show of Fine Arts, Art Gallery of Peel, Brampton, Canada
1995 Heart On, Parkdale Arts Collective, Toronto, Canada
1992 Debutante’s Ball, Old Toronto Dominion Bank, Calgary, Canada Thesis Exhibition, Illingworth Kerr Gallery, Calgary,
1991 Fragments, Images Art Gallery, Calgary, Canada
1990 Supplement, Old Toronto Dominion Bank, Calgary, Canada Environment, Marion Nichol Gallery, Calgary, Canada
1989 Aids Awareness, Marion Nichol Gallery, Calgary, Canada
Awards
2009 Purchase Grant, Alberta Foundation for the Arts, Calgary, Canada 2008
Project Grant, Canada Council for the Arts, Canada
2007 Project Grant, Alberta Foundation for the Arts, Calgary, Canada
2006 Project Grant, Canada Council for the Arts, Canada
Project Grant, Alberta Foundation for the Arts, Calgary, Canada 2005
Project Grant, Alberta Foundation for the Arts, Calgary, Canada 2000
Visual Arts Award, Arts Council of Ireland, Dublin, Ireland
2001-03 Graduate Scholarship, Louth County Council, Dundalk, Ireland
1996 Juror's Award, 23rd Annual Juried Show of Fine Arts, Art Gallery of Peel ???WHERE
1992 Governor General's Medal, Alberta Collage of Art and Design, Canada 1991
Simon Chang Scholarship, Alberta College of Art and Design, Canada 1989-90
Illingworth Kerr Scholarship, Alberta College of Art and Design, Canada
Visiting Artist Lectures
2015 Guest Speaker, artBOX, International Avenue | SE17, Calgary, Canada 2009
Guest Speaker, University of Lethbridge, Canada
2007 Guest Speaker, ACAD (Photography), March, Calgary, Canada 2006
Guest Speaker for MFA Students, University of Calgary
Guest Speaker, University of Manitoba, January, Winnipeg, Canada
Exhibition lecture, Aceartinc. Gallery, Winnipeg,
Exhibition Lecture, Art Gallery of Calgary, February, Calgary,
Canada Guest Speaker, University of Calgary, February, Calgary,
Canada Guest Speaker, ACAD (Sculpture), February, Calgary, Canada
Guest Speaker, ACAD (Drawing), February, Calgary, Canada
Guest Speaker, ACAD (First Year Studies), January, Calgary, Canada
2003 Guest Speaker, Alberta College of Art & Design, November, Calgary,
Canada Guest Speaker, Alberta College of Art & Design, October, Calgary, Canada
Teaching Experience
2007-present Faculty - Alberta College of Art and Design, Calgary, Alberta, Canada
Painting PNTG 101, PNTG 212, PNTG 223, PNTG 213, PNTG 214, PNTG 222, PNTG 316, PNTG 317, PNTG 321, PNTG 411, PNTG 417
Drawing DRWF 110, DRWF 120, DRW 202, DRWG 204, DRW 214
Photography PHTG 101
2008-2010 Faculty - Mount Royal University, Calgary, Alberta, Canada Interior Design - INDS 2213
Committee Work
2007 Portfolio Reviews in Saskatoon, Edmonton, Toronto, Vancouver, Calgary (ACAD/AUA),
2015 NASAD - Painting Program
2014 3rd & 4th Year Painting Exhibition (ACAD)
2013 Adjudicator for painting awards (ACAD)
2008 Selection Committee for student entry into Photography Department (ACAD)
2007-2010 First Year Studies Exhibition at (ACAD)
Selected Reviews & Publications
2014 X-Border Art Biennial, Lulea, Sweden
2007 Fredriksson, Av Ida, “Var plikt ar att bli kommunikatorer med makten”, NSD, Lulea, Sweden
Fredriksson, Av Ida, “Nitton passioner”, Pitea-Tidningen, Lulea, Sweden
Soderberg, Marianne, “Moten med konst och passion,” Kuriren, Lulea, Sweden 2006
Roberts, Lorne, “Troubled Faces Remain Neutral,” Winnipeg Free Press, February 9
GrandPre, Stephen, Trampled Underfoot: Brian Flynn’s “Belfast Portraits”The Uniter, Winnipeg, February 2
Pauch-Nolin, Kristen, “The Perfect Drug? Flynn and Finnigan Comment on The Addictive Nature of Art”, Uptown, Winnipeg, January
2005 “Fast Forward”, Canadian Art, Calgary, Winter
“Hot ticket: Galleries,” Avenue Magazine, Calgary, December
Holliston, Lisa, “Brian Flynn at SKEW Gallery,” Arts & Entertainment, Shaw Television, Dec
Reynolds, Travis, “The Underlying Truth,” SWERVE Magazine, The Calgary Herald, Nov 25
Roddy, Margaret, “Brian Flynn at the Basement Gallery,”The Argus, Dundalk, Ireland, Sept 12
Woolridge, Suzanne, “Interview with Brian Flynn,” CBC – Radio Canada, The Arts Report, St. John’s, NFLD, April
Sverakova, Slavka Dr., “Survey of art and politics in N. Ireland,” Contexts Art Journal 4, Dublin, Ireland, Winter 2005
O’Keefe, Christa, “Brian Flynn: Art Gallery of Calgary,” CIRCA, Dublin, Ireland, Winter 2005
Sandberg, Lorna, “Brian Flynn at the Art Gallery of Calgary,” CBC News, January 13
Holliston, Lisa, “Brian Flynn at the Art Gallery of Calgary,” Arts & Entertainment, Shaw Television, January
2004 Lafortune, Wes, “Called on the carpet,” FFWD, Calgary, December 16 2003
Buckman, David, The Dictionary of Artists in Britain Since 1945, England
ev+a: 2003 – on the border of each other, Limerick, March
Naclia, Janet, “See”, CIRCA, Dublin Spring 2003
2002 Goddard, Peter, “Week in Reviews”, The Toronto Star, Toronto, January 20
Hill, Ian, “Review: [two/four (eh!)]”, Belfast News Letter, Belfast, August 14
“Review: [two/four (eh!)]”, Northern Visions Radio, Belfast, August 8
Roddy, Margaret, “Brian’s Bellurgan painting shortlisted for major prize”, The Argus, Dundalk, January 1
2001 Davey, Gina, “Shredders: The final reckoning”, CIRCA, Dublin, Autumn 2001
Naclia, Janet, “Northeast…”, CIRCA, Dublin, Winter 2001
O’Mera, Fionnula, “Interview with Brian Flynn,” LMFM Radio, Dundalk, September
1999 “Fast Forward”, Canadian Art, Toronto, Summer
Dault, Gary Michael, “Resistance is not entirely futile,” Gallery Going, Globe & Mail, Toronto
Ettedgui, Perlita, “Latest Lonsdale Gallery Show is Hard to Resist,” Village Post, TO, July
Jordan, Betty Ann, “Diversity Revealed,” Where Toronto, Toronto, June
Sealey, Katharine, “Yesterday’s junk is today’s art,” Mississauga News, Mississauga, September
1997 Northcott, John, “Inheritance at the Faktorie Gallery,” CBC News, Toronto, July
Related Experience
2011 Community Learning and the Humanities (Goal of CLH is to provide free and open access to a challenging learning environment) Calgary Public Library, visual art talks with the homeless community
2007-08 Board member of the Art Gallery of Calgary, Canada
2006 Artist in Residence, University of Calgary, Canada
2005-06 Board member of Truck Gallery, Calgary, Canada
2003 Shortlisted for the Hunting Art Prizes 2002, Royal College of Art, London, England
2002 Interviewed for Documentary “20 Feet Over Belfast: The War of Art in Northern Ireland” Produced and Directed by Paul Goudreau and Christine Hurson. Belfast, Northern Ireland
1998 Artist Residency, Tyrone Guthrie Centre, County Monaghan, Newbliss, Ireland